3nanashi | (no subject)

It's late afternoon. The first show is at 6:00 -- 1800, Trowa still thinks of it really, but the translation is easy -- and most of the circus is making early dinners or otherwise enjoying the downtime before they have to get ready.

Trowa opens the door from Milliways into the trailer he shares with Cathy, and lets X follow him through.

It's a narrow room, combining kitchen and common room in a compact and tidy package, with doors to Trowa's room, Cathy's, and the bathroom. (And, behind them, to the outside.) It's all lived-in, in an impeccably tidy way.

Flat | Top-Level Comments Only

From:

3nanashi

Because it's X, Trowa's path is going to be what he considers a sensible one. That is to say, a systematic circle through the non-restricted areas, to facilitate assessment of the terrain. (The non-restricted areas are most of them, when you're with Trowa.)

Because it's the circus, they're likely to get curious looks and occasional people wandering by for a brief and discreetly inquisitive chat. So far, it's only the glances, though, and just a couple of them.

Trowa gives her a moment to take in the ~~terrain~~ sights, before he starts across the grass.

The circus usually sets up in a park of some sort; it's a good central area for the big top, and in the colonies parks are among the few areas with a lot of open space for trailers and tents. (The other common option is a parking lot. Grass is better on everybody's legs, though, and the only parking lot around here is where they need the audience to be able to park.)

From:

cutting_edgex23

X meets the looks as she passes, holding them for a moment or two before looking away. It is not meant to be dismissal.

She notes which of them move like people with combat skills, which could overpower her at close range, and which may (or may not) regard Trowa with surety.

A larger mental database is always better.

Always.

From:

3nanashi

(The current people in view are Kylie Walsh, who's spent her life working in the circus and with elephants, who gives them a quick look and turns back to her laptop; Jenny Trieste, quiet with strangers but currently animated, who's taken martial arts but never put it to use, and who's regarding them with friendly curiosity; and Roy Garcia Schultze, sword-swallower and recent addition to some of the highwire routines. He's one of the few people in the circus with military experience, but he was support staff and only saw combat a couple of times; he lifts a hand to Trowa (who nods in return greeting), tips a curious glance at X, and goes back to his conversation with Jenny.)

First up is the practice area. There's a low wire strung between poles, and a pile of mats stacked near a portable foam pit. Some distance away is a rectangle blocked off with bright tape, with a few targets and a dense backdrop to catch any stray knives. None of it's covered; rain's not scheduled for another three days.

From:

cutting_edgex23

(X may nod to the people that make welcoming gestures, but waving is something that happens to other people. It is not a pity.)

X appears fascinated by the low wire, gaze flicking away to Trowa and then back again.

It could be a request for a demonstration.

Or a request for permission.

From:

3nanashi

Well. Sure.

Trowa cants his head slightly towards the wire. Does she want to give it a go, or . . . ?

From:

cutting_edgex23

X casts another quick look between Trowa and the wire, then crouches down to take off her boots.

A few seconds later she is making her way to the wire, pausing to study it -- and take stock of the wind -- before she sets her foot down.

Hmm.

This will be interesting.

From:

3nanashi

Trowa makes the educated assessment that X does not need a spotter -- she may fall, but it's not that far, and there are mats -- and also that she does not need the complication of somebody else on the wire just yet.

Accordingly, he strips off his own shoes and socks, and heads for the opposite pole. He'll climb to the small platform there, and wait.

Sometimes a demonstration is useful. But X can give it a go on her own first, if she wants.

From:

maxwellsdemon02

Clearly, sometime in the past, Trowa has been unwise enough to allow Duo uninhibited access to his phone. Bach's Toccata and Fugue in D Minor starts playing.

From:

cutting_edgex23

X does not startle -- she has been better trained than that.

But she does go still on the wire, toes curling to get a better grip, and looks to Trowa.

Is it an emergency?

From:

3nanashi

Well, it's Duo.

So potentially, but probably not. Especially given the current context.

"Duo," he says to her in explanation, and slips the phone out of his pocket. Into the phone: "Hi."

From:

maxwellsdemon02

"You just like springing surprises on me, don't you?"

From:

cutting_edgex23

X, all the way across the wire, stifles a laugh.

She is not very practiced at it.

(And it startles her every time.)

From:

3nanashi

Trowa notes X's evident hearing abilities.

Also, that she's picked something reasonably amusing to laugh at! (Also, the startlement, but he politely ignores that. Which is not to say it doesn't go into the mental dossier.)

Quizzically unhelpful deadpan is a lot harder to effectively do over a voice-only phone. (This is one of the reasons Trowa doesn't like voice-only phones all that well.) Giving it a go anyway is always an option, but he opts for: "Mm?"

From:

maxwellsdemon02

"When did the two of you become good enough friends for you to invite her for a visit?"

It's obviously not just because Duo is friends with her. Sure, Trowa trusts his judgement, but that's different than bringing someone 'home' to meet Cathy and his co-workers.

From:

3nanashi

"We've talked some."

Or, more relevantly, companionably failed to talk a lot.

"And she was interested."

Trowa doesn't shrug, because: phone. He doesn't believe in pointless gestures. "A while."

There, Duo. An extra-long answer, just for you.

From:

cutting_edgex23

X, while paying attention to Trowa and Duo's conversation, has also begun making her way along the wire.

Carefully, if not particularly slowly.

Just to get the feel of it.

From:

maxwellsdemon02

"I need new friends," Duo says in a mournful tone. "But I'll come supervise you anyway. It'll have to be after work. When should I show up?"

From:

3nanashi

"The show's at 1800."

So . . . whenever he wants! And whenever his shift allows.

That does mean that X is going to be on her own from about 1715 on, but Trowa suspects she's pretty good at keeping herself occupied. Boredom is kind of silly.

From:

maxwellsdemon02

"I'll find you when I can. Don't let the lions eat X, she'll give them indigestion."

He hangs up.

From:

cutting_edgex23

"I am faster than the lions," X observes, once Duo has stopped talking.

And, presumably, once Trowa has put away his phone.

"You do not have to worry."

From:

3nanashi

"I wasn't."

Truth!

Though it's useful information about her reflexes.

From:

cutting_edgex23

X almost smiles, but not quite.

"I know."

From:

3nanashi

Then they are in accord!

(Trowa's not smiling either, as such. But he's pretty relaxed; it maybe almost counts.)

He doesn't say okay, because there's no need. Just lapses back into silence, and lets X continue to explore the tightrope.

Either she's been on one before, or she's got excellent balance. Trowa didn't learn this fast, and he had Catherine assuming from day one that he'd learned the basics before.

From:

cutting_edgex23

Excellent balance comes with the territory. That and ruthless training.

It makes her adaptable. (And she's run across similarly narrow things before, if ones with a bit less give. It helps.)

She crosses over to Trowa's side of things, stepping carefully off the wire and onto the platform. Then she tilts her head a bit, looking up at him.

He would like to show her some things now?

From:

3nanashi

Sure.

He sets the phone down again on the platform -- X can be trusted not to step on it, and there's no particular reason to hang onto it for this -- and steps out onto the wire.

There's always a certain amount of care involved in crossing a wire. But this has been Trowa's day job for the past seven years, and it's always come naturally to him; there's none of the caution X employed.

Trowa's never particularly cared about showing off. He's not opposed, but he feels no drive to do so for its own sake. Doing acts for an audience is different; that's a performance and a job, not personal.

However, he's fine with providing an example for X of what can be done on a low wire, and what his job entails.

Accordingly, when he reaches the middle of the wire, he sets himself briefly (very briefly) and does a simple flip.

Less simple ones will follow.